Rip in Pieces America is an uncensored proclamation from an invisible USA. Dominic Gagnon turns no blind eye in his ultra-intense collage film which consists entirely of more or less anonymous webcam clips that due to their controversial or explicit nature have been flagged and meanwhile removed from video sites such as YouTube. Well-formulated conspiracy theorists, bad-tempered grass-roots activists and religious arms fanatics, who use the webcam as both a means to preach and to confess, have all been filtered by the censor, but stored by Gagnon, who neither comments nor embarks on any finger-pointing. For who decides what can be thought and said? And what is paranoia, if you know that you’re right? RIP is an uncensored, in-your-face assault on political correctness and on most American institutions. But it also has a bizarre performative element that develop in pure Hollywood fashion.
A group of five American friends on the cusp of adulthood travel to Panama to relax and reconnect. They befriend a local woman in their hotel bar—and despite some ominous whispers—she goes against the specific instructions of her brother and brings the Americans on a daytrip into the pristine falls at the nearby jungle.
When an alien race invades and begins to brainwash humans to carry out acts of destruction, the rest of humanity must rely on an untested giant robot to save the Earth.
A viral video shows a mysterious figure walking along the edge of the woods each day, and filmmaker Bill Howard sets out to spend a night there to find out exactly what it is.
Four adopted brothers - Jojo (Awie), Fairil (Afdlin Shauki), C'tan (AC Mizal) and Khai (Hans Isaac) - leave their kampung and head to Kuala Lumpur to make it big in the cleaning business.
Documentary telling the little-known story of how Darwin came to write his great masterpiece, On the Origin of Species, a book which explains the wonderful variety of the natural world as emerging out of death and the struggle of life.
Set in and around the male and female toilets of a Dublin jazz bar. A drama concerning the trials and tribulations of two lowly paid toilet attendants and the people they serve.
Shortly after discovering that her dream of joining the Los Angeles Ballet has come true, 17-year-old Sherri (Christina DeMarco) receives a devastating report from her doctor: she's dying of cancer, and her days among the living are numbered.
