Adapting its title and theme from Thomas De Quincey's murder text, this long-overdue return to narrative cinema by the great British filmmaker Peter Whitehead is based around a mesmerizing psycho-geographical exploration of modern day Vienna. The film incorporates a record of the subversive underbelly of the city into a poetic meditation on conspiracy theory, ecoterrorism, time and cinema, retracing the story of The Third Man. Adapted from a trilogy of Whitehead's own Nohzone novels, the objective and subjective becomes blurred as the film director merges with the fictional detective in a journey into the murky activities of covert counter-insurgency groups. Kaleidoscopic in intent, the film mixes Noh theatre, Victorian novels, Vienna after the war, opium, domain names and Jacob's ladder "pitched twixt Heaven and Charring Cross".
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis.
Have you watched Terrorism Considered as One of the Fine Arts yet? What did you think about it?