This piece is based on several works by Fernand Léger, particularly a painting from 1920 entitled Les disques de la ville, and his epxerimental film Ballet Mécanique (1924). So in this work I first goth through a phase of sampling ; the collected pictures are then reworked by means of new media. I was looking for a paradoxal picture, regarding its temporal situation. Léger's film 20s grain is still visible, though interferring with frame effects which can be clues about numerical video tools. This can evoke bad encoding, "low-fi" pictures that we get used to by watching video hosting websites such as YouTube or DailyMotion. There we get some kind of uchronia, like time collapsing on itself. Some kind of spontaneous meeting of Léger's Modernism with psychedelism, YouTube and pirate TVs. The soundtrack is made of trains and stations recordings — trains being so dear to the Futurists — and popular songs from the 20s.
In the 22nd century, a paraplegic Marine is dispatched to the moon Pandora on a unique mission, but becomes torn between following orders and protecting an alien civilization.
An eleven-year-old girl, living in Edinburgh, Scotland, hates her Christian name, Kylie. She prefers to be called "Morticia" And she wants a real Dad she can identify with.
Guntur (Rangga Raditya) is an ordinary kid from village in Banyuwangi who lives an ordinary life. Well, not quite ordinary, since he is the “victim” of his father and friend obsession.
A documentary following the exploits of a group of filmmakers as they take their independent feature, Ten 'til Noon, along the film festival circuit, and the politics, pitfalls, triumphs and comic tragedies they encounter along the way.
This elegant romance is the least-known work of the mature Giacomo Puccini . The story concerns a kept woman who defies convention to chase a dream of romantic love with an earnest, if naïve, young man.
