Color Series was made by providing the film laboratory with six written scores that directed the film timer to change the printing lights from "Red" to "Green" to "Blue." The result is a series of slow fades from one colour to the next, which, not unlike the experience of a sunrise, immerses the viewer in the perceptual phenomenon of gradual change. As Brookshire writes, "The subject of the work is duration, and color is the medium through which we experience it. The converse is also true: the subject is color and duration is the medium. The effect is a direct experience of time and vision."
When God loses faith in humankind, he sends his legion of angels to bring on the Apocalypse. Humanity's only hope for survival lies in a group of strangers trapped in an out-of-the-way, desert diner with the Archangel Michael.
This time around Edmund and Lucy Pevensie, along with their pesky cousin Eustace Scrubb find themselves swallowed into a painting and on to a fantastic Narnian ship headed for the very edges of the world.
A bored and domesticated Shrek pacts with deal-maker Rumpelstiltskin to get back to feeling like a real ogre again, but when he's duped and sent to a twisted version of Far Far Away—where Rumpelstiltskin is king, ogres are hunted, and he and Fiona have never met—he sets out to restore his world and reclaim his true love.
Have you watched Color Series yet? What did you think about it?