Passions Just Like Mine is a documentary film telling the story of Latino music fans in the greater Los Angeles area whose lives have been utterly transformed by the words, music, and lifestyle of British pop star Morrissey. The film offers a stirring glimpse into how oneâs course in life can be changed by a total stranger with seemingly no cultural similarities. The fansâ stories are revealed by the devoted themselves, providing powerful portraits of their obsession and transformative journeys. The camera follows these fans to Smiths tribute shows, Morrissey fan conventions and into Latino neighborhoods and family homes where the influence of the British pop icon resounds. One-on-one interviews with the fans are interspersed with personal archival materials including fanzines, fliers, and photographs, as well as live-footage from tribute bands such as Sweet and Tender Hooligans and These Handsome Devils.
In April 1939, "Grapes of Wrath" entered the pantheon of literature with a bang. Americans are at loggerheads over the odyssey of the Joad family, tenant farmers from Oklahoma who, like thousands of others, were driven from their land during the Great Depression.
A film about Eric Rohmer, Paris, and the pleasures of cinephilia. Between the late 1950s and mid-2000s, legendary Nouvelle vague cinéaste Eric Rohmer made over twenty feature films, short films, and television documentaries on location in Paris.
Based on Jo Brand's critically acclaimed novel of the same name, The More You Ignore Me is a warm, comedy drama focusing on the life of an unconventional family in 1980s rural England.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
50 years after the legendary fest, Barak Goodman’s electric retelling of Woodstock, from the point of view of those who were on the ground, evokes the freedom, passion, community, and joy the three-day music festival created.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years.
Drawing surprising connections between market methods and CIA torture techniques developed in the 1950s, the film explores how well-known events of the recent past have been theaters for the shock doctrine, from Pinochet's coup in Chile, to the Tiananmen Square Massacre, to the war in Iraq today.
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
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