Avant-garde at its time of release, it is the first film to bring to the mainstream discourse, the still taboo and marginalized topic of African Spirituality. It opens up the discourse on why African spiritual systems remain demonized whilst other spiritual systems are revered the world over. Using comparative analyses, it explores tenets (ideas/concepts) found across the various religious and spiritual systems; including the Abrahamic Faiths, Hinduism and Buddhism, to show the vast areas of overlap and commonality that are largely ignored.
The film is a short story about a guy called Steve who has struggled with the Christian faith, having seen his parents, who are both Christians, break up because of his dad's unfaithfulness.
The fat knight Sir John Falstaff imagines that Mistress Ford and Mistress Page are both taken with him and so, attracted as much by their husbands’ money as their personal charms, he decides to woo them both.
JJ Justice is a man in transition. A once successful right-wing radio broadcaster, who's lost his edge, his wife and any hope of airing in a real market.
To win the celebrity and self-made wealth he craves, an aimless, twenty-something Manhattan playboy devises a film based on his party-boy, club-going lifestyle, and hires a self-destructive aspiring playwright to ghost the feature script.
