Where the other films in Paul Clipson's COMPOUND EYES cycle relate natural and constructed environments through cutting, the liquid CARIDEA AND ICHTHYES uses superimpositions to float various fish and crustaceans in a brilliant neon sea. Like TAXI DRIVER crossed with a Jean Painlevé film, CARIDEA AND ICHTHYES serves as a beautiful articulation of the essential fluidity of film projection. - Max Goldberg
Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.
In a bid to encourage city-dwellers to leave behind the restrictions of war, 'The Green Girdle' escapes from the austere urban landscape of inner-city London and savours the natural delights of the capital’s rural surroundings.
After several years of being away Oscar returns to his hometown wanting to relive the past. What he longs for is an impossibility, the town of his memories only exists within him.
After accidentally hitting a dog with her car, a woman attempts to take the animal to the vet, but is impeded by the dog's gruesome transformation into a human.
A Holocaust survivor reads a letter he wrote to the pig who saved his life. A young schoolgirl hears his testimony in class and sinks into a twisted dream where she confronts questions of identity, collective trauma, and the extremes of human nature.
Popular movie trailers from 2011
These some of the most viewed trailers for movies released in 2011:
The 'Hidden Faith of Our Founding Fathers' is perhaps the first and only documentary to go where no film has ever gone before: into the hidden faith of America's founding fathers.
The film is a short story about a guy called Steve who has struggled with the Christian faith, having seen his parents, who are both Christians, break up because of his dad's unfaithfulness.
Henry is a grouchy, irritable and overall unhappy birthday clown. As he complains about everything, he realizes 8-year-old birthday girl Coral has a frown just as long as his.
The fat knight Sir John Falstaff imagines that Mistress Ford and Mistress Page are both taken with him and so, attracted as much by their husbands’ money as their personal charms, he decides to woo them both.
