The Chagossians used to live in the Chagos Archipelago, under British rule, in the Indian Ocean. Between 1967 and 1973, the British government progressively evicted the islander population from their homelands to allow the United States to build a huge military base on Diego Garcia, the largest of the islands. The base was strategically important to the US and British involvement in Afghanistan and other Middle Eastern fields of military operation. No consultation took place with the Chagossian people, and they were given no choice. As the film powerfully documents, the islanders were forced to survive in shanty towns in Mauritius and the Seychelles and were given no prospect of ever returning to their home. Many of them survive today in inadequate housing and poor living conditions, unwelcomed by their host communities. They can only dream of their archipelago and share one obsession: to return home.
Woven from the words, stories, and original melodies of an incredibly diverse cast, 'Humanité, the beloved community,' channels the ethos of civil rights in a raw and compassionate bid for global harmony.
Since the 1960's, journalists, scholars and filmmakers have been examining the Rastafarian movement in an attempt to explain its origins and its core beliefs.
Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared.
The fat knight Sir John Falstaff imagines that Mistress Ford and Mistress Page are both taken with him and so, attracted as much by their husbands’ money as their personal charms, he decides to woo them both.
Gautami is an Indian Odissi Dancer whose passion in life is dance. Jai Leang is a rising Chinese painter whose paintings are highly influenced by Chinese culture.
To win the celebrity and self-made wealth he craves, an aimless, twenty-something Manhattan playboy devises a film based on his party-boy, club-going lifestyle, and hires a self-destructive aspiring playwright to ghost the feature script.
When Nina Patel is nominated to represent her eighth grade class at Homecoming, she's thrilled. However, Nina's traditional Indian parents refuse to let her assimilate to such an American tradition.
