Noa Eshkol considered dance to be a piece choreographed for at least two dancers. The film installation Four Exercises in Eshkol-Wachman Movement Notation features four of Noa Eshkol’s dances, deemed here to be “exercises” as they are each performed by a single dancer – Ruti Sela, who began dancing with Eshkol in 1969. Sela moves among four identical gray volumes, which were designed by Lockhart to reference the space that the dancer’s body occupies as she moves through each exercise. Changing position for each dance, the volumes are sized according to the dancer’s measurements: the height of each volume is the height of the dancer with her arms raised, the width of each is equal to the dancer’s wingspan. The compositions of the volumes highlight the different spaces that each of the four dances occupy in space.
Henry is a grouchy, irritable and overall unhappy birthday clown. As he complains about everything, he realizes 8-year-old birthday girl Coral has a frown just as long as his.
A true story of two men who should never have met – a quadriplegic aristocrat who was injured in a paragliding accident and a young man from the projects.
There's a new teacher in town—Spelunker! This unusual man is anything but a typical instructor, giving speeches about traffic safety to the students, reacting strangely to a humidifier, and enjoying lunch— albeit with ample condiment mishaps.
A boy cursed to turn gay when he grows up must sort out his feelings for the girl he loves and the boy – his best friend – he is suddenly lusting after, come to terms with his homophobia, and escape a pscho gay killer on the loose.
The film is a short story about a guy called Steve who has struggled with the Christian faith, having seen his parents, who are both Christians, break up because of his dad's unfaithfulness.
Comments
Have you watched Four Exercises in Eshkol-Wachman Movement Notation yet? What did you think about it?
