Without her husband and without her lawyer’s licence, which has been withdrawn, Noora is left pregnant and alone in her apartment. Her attempt to leave Iran turns into a fight with male chauvinism. A personal, nerve-wracking and infuriating film by Rasoulof, who was himself convicted for his films in Iran. Goodbye is a sober, frightening portrait of a society that is stooping under the continual control and threats of its religious regime. Noora, a young, pregnant lawyer in Tehran whose husband has been sent to work in the desert because of his critical journalistic activities, continually faces opposition from the regime and decides to leave the country. That turns out to be very difficult. Because Rasoulof was already banned from making films, Goodbye was shot partly in secret in the winter of 2010/2011. The result is a disquieting film that makes impotence and the desire for freedom painfully tangible in all its simplicity.
Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared.
A man glimpses the future Fate has planned for him – and chooses to fight for his own destiny. Battling the powerful Adjustment Bureau across, under and through the streets of New York, he risks his destined greatness to be with the only woman he's ever loved.