An artist recites lines from Saadi’s Gulistan (The Flower Garden) ― a monument of Persian literature ― as her body moves through space and away from the words of the poem. In 2009, while working in Iran, she was instructed to take photographs of flowers instead of taking self-portraits that addressed social concerns. In response, the artist, Atashi, started exploring the historical, literary, and symbolic connotations of flowers in Iran.
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Since the 1960's, journalists, scholars and filmmakers have been examining the Rastafarian movement in an attempt to explain its origins and its core beliefs.
Comments
Have you watched Gulistan yet? What did you think about it?