LEFT SIDE, RIVERSIDE experimentally documents the filmmaker's experience of Riverside Park, on the left side of Manhattan. The film combines "live action" footage and in-camera double exposures. This footage is then further layered by superimposing and bi-packing the camera footage with handmade and hand-painted film frames created from plants and flowers gleaned in Riverside Park. The ambient sounds come from both Riverside Park and the filmmaker’s childhood home in northeastern Missouri.
Since the 1960's, journalists, scholars and filmmakers have been examining the Rastafarian movement in an attempt to explain its origins and its core beliefs.
To win the celebrity and self-made wealth he craves, an aimless, twenty-something Manhattan playboy devises a film based on his party-boy, club-going lifestyle, and hires a self-destructive aspiring playwright to ghost the feature script.
A true story of two men who should never have met – a quadriplegic aristocrat who was injured in a paragliding accident and a young man from the projects.
Charlie Kenton is a washed-up fighter who retired from the ring when robots took over the sport. After his robot is trashed, he reluctantly teams up with his estranged son to rebuild and train an unlikely contender.
Antonia is a single mother who works as a hotel maid in Berlin. A normal hot summer day takes a dramatic turn when she crosses paths with a particular guest of the hotel, famous blind portrait painter Julius Pass.
