For this installation, each actress was asked to sit in front of the camera – baring their shoulders and covering their heads – and cry when prompted by Zina. They needed to produce real tears and engage with the camera as much as possible during the process, turning their emotions into a true performance as well as a test of endurance. The work explores the role of performance in expressing grief, drawing the viewer into the territory between the emotive and the emotional. The minimal, ghostly sound leaving room for the viewer to engage with the physical performance of grief. The lack of narrative and context but direct engagement of the subject also draws out the viewer’s own personal narratives engineering a form of catharsis.
When Nina Patel is nominated to represent her eighth grade class at Homecoming, she's thrilled. However, Nina's traditional Indian parents refuse to let her assimilate to such an American tradition.
Henry is a grouchy, irritable and overall unhappy birthday clown. As he complains about everything, he realizes 8-year-old birthday girl Coral has a frown just as long as his.
There's a new teacher in town—Spelunker! This unusual man is anything but a typical instructor, giving speeches about traffic safety to the students, reacting strangely to a humidifier, and enjoying lunch— albeit with ample condiment mishaps.
The fat knight Sir John Falstaff imagines that Mistress Ford and Mistress Page are both taken with him and so, attracted as much by their husbands’ money as their personal charms, he decides to woo them both.
