For this installation, each actress was asked to sit in front of the camera – baring their shoulders and covering their heads – and cry when prompted by Zina. They needed to produce real tears and engage with the camera as much as possible during the process, turning their emotions into a true performance as well as a test of endurance. The work explores the role of performance in expressing grief, drawing the viewer into the territory between the emotive and the emotional. The minimal, ghostly sound leaving room for the viewer to engage with the physical performance of grief. The lack of narrative and context but direct engagement of the subject also draws out the viewer’s own personal narratives engineering a form of catharsis.
To win the celebrity and self-made wealth he craves, an aimless, twenty-something Manhattan playboy devises a film based on his party-boy, club-going lifestyle, and hires a self-destructive aspiring playwright to ghost the feature script.
Fifteen years after the original Woodsboro murders, Sidney Prescott returns home to promote her new book about surviving trauma, only for a new Ghostface killer to emerge, targeting a new group of teens.
There's a new teacher in town—Spelunker! This unusual man is anything but a typical instructor, giving speeches about traffic safety to the students, reacting strangely to a humidifier, and enjoying lunch— albeit with ample condiment mishaps.
The film is a short story about a guy called Steve who has struggled with the Christian faith, having seen his parents, who are both Christians, break up because of his dad's unfaithfulness.
Ethan Hunt and his team are racing against time to track down a dangerous terrorist named Hendricks, who has gained access to Russian nuclear launch codes and is planning a strike on the United States.
The fat knight Sir John Falstaff imagines that Mistress Ford and Mistress Page are both taken with him and so, attracted as much by their husbands’ money as their personal charms, he decides to woo them both.
