What happens when a director is inspired by the movies of the 80s era – the era that had explored themes like love and friendship and killed them with melodramatic overdose. Well, you get Sagakkal. Director Muthukumarasamy’s Sagakkal is a retake of the long forgotten eighties with all the excess melodrama surrounding a wafer thin tale of love and friendship. The movie has an amateurish look and feel. Cinematography is a letdown and songs are just about okay. Director Muthukumarasamy must tune his direction to suit to the sensibilities of the target audience. Otherwise, his product will be stuck in the middle for want of audience.
Fifteen years after the original Woodsboro murders, Sidney Prescott returns home to promote her new book about surviving trauma, only for a new Ghostface killer to emerge, targeting a new group of teens.
Harry, Ron and Hermione continue their quest to vanquish the evil Voldemort once and for all. Just as things begin to look hopeless for the young wizards, Harry discovers a trio of magical objects that endow him with powers to rival Voldemort's formidable skills.
Charlie Kenton is a washed-up fighter who retired from the ring when robots took over the sport. After his robot is trashed, he reluctantly teams up with his estranged son to rebuild and train an unlikely contender.
The fat knight Sir John Falstaff imagines that Mistress Ford and Mistress Page are both taken with him and so, attracted as much by their husbands’ money as their personal charms, he decides to woo them both.
Emma is a busy doctor who sets up a seemingly perfect arrangement when she offers her best friend Adam a relationship with one rule: No strings attached.
