In a house in Delta, in a quiet interrupted only by the noise of the boats, a couple lives without crossing each other. He is a writer waiting for the words; she is an alienated employee of the Exterminator House . The relationship crisis (with the domestic, with the other, with the writing, with the present) seems to last in personal trips mixing loneliness and something hypnotic about this world. There is a contemplative realism that contains everything, partly as a perplexed look, but also as a way to analyze a strange corruption where the ordinary is transformed, where the mundane is reflected in the rippling waters of the river until it reflects another face. But an unexpected change in the course of a character will change his life and the tone of the film... This debut film directed, written and performed by Roman Cardenas bet on a visual narrative with brief interruptions of words, where the everyday can coexist to confuse the mystery, absurdity and revelation.
Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared.
This English-language adaptation of the Swedish novel by Stieg Larsson follows a disgraced journalist, Mikael Blomkvist, as he investigates the disappearance of a weary patriarch's niece from 40 years ago.
Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running.