Yuguo, from Mongolia, lost his father when he was very young. His mother Liuxia was not able to raise him as a heavy drinker. With social support, she sent Yuguo to Wuxi for free education. Liuxia is depressed all day long, and she finds sustenance of missing Yuguo in reindeer and wine. One winter holiday after many years, Yuguo returns to his hometown, the Evenki settlement deep in the Greater Khingan mountains. At that time, he is no longer the boy who just left home, but a thirteen-year-old teenager. Facing alcoholic mother, poetic uncle, pure people from the tribe, familiar yet strange forest, Yuguo, who grew up in the city, doesn’t know what to do. In the snow-laden mountains of Aoluguya, northeast of Inner Mongolia, the film chronicles their brief time together. Yuguo and His Mother is the second documentary of Gu Tao’s Evenki trilogy.
In Luxi, a county in southeastern Yunnan Province, someone’s corpse was burned. The parents of the murdered man don’t know the truth and have been waiting for their son to return home.
This film documents the 11th Beijing Independent Film Festival in 2014, from the preparations before the opening ceremony to the process of its forced cancellation, the event which spurred the Cinema on the Edge series.
Legendary Peking Opera master, Yuling Fang, emigrates to New York where he works in a nail salon. Realizing there is no one to inherit his legendary skills, he decides to mount an amateur production in order to keep alive the vanishing world he loves.
Video essay ‘Rock and Cliff' investigates the creation of Horn Town, a new model village and centre of large scale tourist development, and the experiences of rural residents moved there through government-led displacement.
Yao Shangde is a mime artist from Taiwan. He has rich experience in stage performance. In 2011, he suddenly decided to start his personal street mime performance project "Mime Runaway".
In rural China, the job of enforcing the Communist Party's one-child policy falls on government bureaucrats tasked with imposing fines, birth control, and forced sterilizations.
The Cold Winter was shot from the end of 2009 to early 2010, and focuses on the struggle of artists near Beijing’s famous Chaoyang District 798 Art Zone to protect their land and studios from demolition by developers.
In his third film on life and work in the (once) heavily wooded north of China, Yu Guangyi (Survival Song) follows the lonely San Liangzi (46), who for the past ten years has been in love with a woman who doesn’t like men much.
A lively community of Christians inhabit Fangshan, a remote rural town in Jiangsu Province. At the start of the millennium, a church was built there with support of local inhabitants' relatives from Taiwan.
A true story of two men who should never have met – a quadriplegic aristocrat who was injured in a paragliding accident and a young man from the projects.
JJ Justice is a man in transition. A once successful right-wing radio broadcaster, who's lost his edge, his wife and any hope of airing in a real market.
Musician, composer, producer, music theorist, singer and visual artist; probably best known for his early work with Roxy Music, his production duties for U2 & Coldplay, and as one of the principal innovators of ambient music.
The 'Hidden Faith of Our Founding Fathers' is perhaps the first and only documentary to go where no film has ever gone before: into the hidden faith of America's founding fathers.
Henry is a grouchy, irritable and overall unhappy birthday clown. As he complains about everything, he realizes 8-year-old birthday girl Coral has a frown just as long as his.
Charlie Kenton is a washed-up fighter who retired from the ring when robots took over the sport. After his robot is trashed, he reluctantly teams up with his estranged son to rebuild and train an unlikely contender.
Antonia is a single mother who works as a hotel maid in Berlin. A normal hot summer day takes a dramatic turn when she crosses paths with a particular guest of the hotel, famous blind portrait painter Julius Pass.
The fat knight Sir John Falstaff imagines that Mistress Ford and Mistress Page are both taken with him and so, attracted as much by their husbands’ money as their personal charms, he decides to woo them both.
