A dialogue from the movie "J'entends plus la guitare" (1991), by Philippe Garrel, is the starting point for a reflection on the immateriality of cinema and its mimetic dimension.
Mahalia, a timid 9-year-old black girl, feels different from the other girls in her ballet class. Hoping to boost her confidence, her mother brings her to the hair salon to get her hair straightened for the very first time.
Boss Peaches wants her revenge. Why? Because nobody dumps Boss Peaches... not even Bruiser Bom-Bash. Unfortunately for her, Peaches will have to get in line with the rest of them.
The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo.
A group of travelers descends on The Park to witness one last Firefall. They come from different backgrounds and walks of life, but their paths will crash together in hilarious ways, as a film crew document (Mockuments) their crazy antics.
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Have you watched Dead Hands yet? What did you think about it?