The conventional use of parallax in 3d media presumes a coherent Cartesian space. The meshing and sequential dissolving of varying perspectives and disparate spaces in Occupy Image destabilizes the illusion and expectation of space. What is expressed in its place is an expanded sense of parallax in regards to depth perception. One where depth is a negotiation of difference to be perceived by combining the here with a formally unrelated there, and there and so on.
Before Nike, and Adidas, there was the Hi-Jo! Here is a Brooklyn tale set back in the day about a young Italian-American shoemaker (Frank) on the verge of greatness.
A group of travelers descends on The Park to witness one last Firefall. They come from different backgrounds and walks of life, but their paths will crash together in hilarious ways, as a film crew document (Mockuments) their crazy antics.
Boss Peaches wants her revenge. Why? Because nobody dumps Boss Peaches... not even Bruiser Bom-Bash. Unfortunately for her, Peaches will have to get in line with the rest of them.
Matt, a stereotypical hetero white male, feels he has life figured out by following the status quo. This all changes when he meets Ryan and the illusion of his idyllic life begins to crumble.
