Panopticon Letter's Missive I, is a single screen work that explores ideas of memory, techniques of the body and colonialism, within the tradition of landscape painting. In the film, footage of the river Thames in London is altered to bring about a false relationship between sky and water. This is set against the technical descriptions of the architectural plans for an ideal prison as read from 'The Panopticon Letters' of Jeremy Bentham (1748‐1832), who had first identified the Millbank site for the construction of his Panopticon. The darkness of the severed horizon‐line allows different modes of address to emerge within a correspondence of letters, reformulating a multitude of narratives of time and place.
The year is 1895. Steam-powered ships fly through the air. Clockwork robots have replaced servants. And a grisly murder has taken place in the dark night of New York City.
Boss Peaches wants her revenge. Why? Because nobody dumps Boss Peaches... not even Bruiser Bom-Bash. Unfortunately for her, Peaches will have to get in line with the rest of them.
Matt, a stereotypical hetero white male, feels he has life figured out by following the status quo. This all changes when he meets Ryan and the illusion of his idyllic life begins to crumble.
Two guys, Nick and Dylan, set out to steal a gigantic diamond buried in the basement of a church. As the duo bumbles their way through their plans, they find that the people they’re trying to dupe are actually what they both need —quirky, chaotic, and imperfect, but loving and lovable… the family they’ve been looking for.
A family gathers for a happy reunion and marriage announcement on Christmas Day at an isolated mansion in the Philippine mountains only to encounter a series of bizarre, demonic, and tragic events.
Before Nike, and Adidas, there was the Hi-Jo! Here is a Brooklyn tale set back in the day about a young Italian-American shoemaker (Frank) on the verge of greatness.
