Algerian director Hamid Benamra turns his focus to Mustapha Boutadjine, a charming, mercurial collage artist in Paris whose very work methods embody resistance, and celebrate those who work to liberate others. Boutadjine creates his portraits of Third World artists such as Miriam Makeba, and Algerian figures such as Assia Djebar from pieces of paper torn from high end fashion magazines and other, glossy, glitzy publications. Using this material is as much an act of rejecting bourgeois standards, which are often anti-North African in France, as much as elevating these figures and making them the social and visual standard against which we should judge ourselves, not the runway models of Chanel.
An exploration of the work of controversial pop artist Allen Jones, whose erotic sculptures have angered feminists, challenged his contemporaries, and delighted collectors and gallery goers worldwide.
A documentary on the life of Jack Kirby, co-creator of Captain America, The Fantastic Four, Iron Man, Thor, The Avengers, The Hulk, The X-Men and the New Gods, among other classic comic book superheroes.
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ.
Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia.
The documentary, made by the students of RUFA documentary course, followed Alice Pasquini for many months, resuming her pictorial interventions, interviewing friends and family, collecting archival material and participating in meetings for the realization of the book.
An experimental self-portrait, MMXIII explores phenomenological subtlety, intersections of construct and verité, and the ways in which technology, landscape, and beauty coalesce.
The film reconstructs with care and tactile and optical sensuality the path and legacy of a unique figure of woman and artist: from the turn of the sixties with the "Looms", the "Sewn Canvas", the "Breads", the "Scriptures", the collective action carried out with the citizens of Ulassai in 1981 ("Tying to the mountain"), which anticipates relational art, one of the main artistic currents of the late twentieth century, by a decade.
An unnamed graffiti artist produces a new piece in the biting cold of Minneapolis. Despite the illegality of his medium and the harshness of his environment, the film captures why the artist chooses to create on his own terms.
Leonhard Lapin is the classic and the enfant terrible of Estonian contemporary art, constantly followed by scandals, lewd legends and envious grumbling.
John Bennett, a man whose childhood wish of bringing his teddy bear to life came true, now must decide between keeping the relationship with the bear or his girlfriend, Lori.
Two guys, Nick and Dylan, set out to steal a gigantic diamond buried in the basement of a church. As the duo bumbles their way through their plans, they find that the people they’re trying to dupe are actually what they both need —quirky, chaotic, and imperfect, but loving and lovable… the family they’ve been looking for.
