In an era known for protests and sit-ins, the 1973 Grand Divertissement at Versailles, made a statement of its own - a fashion statement. The legendary event pitting the five lions of French couture Givenchy, Dior, Ungaro, Yves Saint Laurent and Pierre Cardin with five American designers Halston, Oscar de la Renta, Anne Klein, Stephen Burrows and Bill Blass created a cross-stitch of change across fashion, race, business and catwalks. When African American models Bethann Hardison, Pat Cleveland, Alva Chinn, Billie Blair, Norma Jean Darden, Barbara Jackson, Jennifer Brice, Romana Saunders and Amina Warsuma boarded the plane to Paris, they had no idea they would help change the course of fashion and pull off its biggest coup. Versailles '73: American Runway Revolution tells this story
A poetic documentation of the Long Beach Island, NJ community as they battle local politics, cope with personal tragedy, and band together after Hurricane Sandy.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
Examines the impact a century of struggling for survival has on a native people. It weaves the Crow tribe's turbulent past with modern-day accounts from Robert Yellow-tail, a 97-year-old Crow leader and a major reason for the tribe's survival.
NiiSoTeWak means “walking the path together.” Tapwewin and Pawaken are 10-year-old brothers trying to make sense of the world, their family and each other.
For several decades, gifted and incredibly prolific forger Mark Landis compulsively created impeccable copies of works by a variety of major artists, donating them to institutions across the country and landing pieces on many of their walls.
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