Katharina Gruzei combines a sociopolitical issue and a precise formal concept, which is rare in experimental film. Inspired by the Lumière brothers’ first film, La sortie de l’usine Lumière à Lyon, which shows a large number of workers leaving their factory’s gate, Gruzei begins in the interior, in a passageway (made to seem incredibly long by the editing) that emerges from the darkness. Solely portions of the corridor — a production line at the closed Austria Tabak factory — flash into view in the buzzing neon light. The impressive sound and choreography of light were taken from an installation by the artist in the empty spaces.
In the middle of June the village of Santo Antonio de Mixoes da Serra in the Valdreu region of Northern Portugal honours its Patron Saint with a very special festival.
Matt, a stereotypical hetero white male, feels he has life figured out by following the status quo. This all changes when he meets Ryan and the illusion of his idyllic life begins to crumble.
John Bennett, a man whose childhood wish of bringing his teddy bear to life came true, now must decide between keeping the relationship with the bear or his girlfriend, Lori.
100 Musicians is a sensual and intimate film. It is a hazy summer night in Kensignton market. Sydney and June are in bed, in the afterglow of making love.
