The title of the film is a nod to what seems to be the condition of our time: never having enough time, neither in the real world nor in the virtual world. The film takes shape when a portrait photographer leaves his subjects by themselves in the studio with the camera for a few minutes. A simple situation yet significant in what it has to say about the act of looking and image making. A city is its people.
A noble prostitute is found dead in the toilet of a trendy club. Actually a normal case for Chief Inspector Lukas Laim - he would not know this woman intimately.
An old man who is a simple worker decides that he wants to buy a cell phone. He goes to buy some second hand ones but by accident the president's used cell phone is the one which he buys.
For more than 80 years, Solenopsis Invicta has been on a ceaseless march across the United States, racking up six billion dollars every year in crop damage, equipment repair, and pest control.
Before Nike, and Adidas, there was the Hi-Jo! Here is a Brooklyn tale set back in the day about a young Italian-American shoemaker (Frank) on the verge of greatness.
Matt, a stereotypical hetero white male, feels he has life figured out by following the status quo. This all changes when he meets Ryan and the illusion of his idyllic life begins to crumble.
The year is 1895. Steam-powered ships fly through the air. Clockwork robots have replaced servants. And a grisly murder has taken place in the dark night of New York City.
The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo.
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Have you watched xin lỗi, bạn có thể đợi một phút không? yet? What did you think about it?
