Tulio accepts the mayor's invitation to host his own festival within the Viña Festival, but the rest of the team is very scared by the presence of the famous "Monster" of the festival.
Puppeton, the town of 31 Minutes, faces such an infernally hot Christmas that Santa Claus cancels his visit! Bodoque the rabbit heroically volunteers to rescue the presents from the North Pole, while his friends improvise a disastrous Christmas show.
Juan Carlos Bodoque plays Miguel de Cervantes; Tulio Triviño plays Don Quixote, Juanin Juan Harry plays Sancho and Patana plays Pantonia, the hidalgo's niece.
Guaripolo, the children's favorite character of 31 minutos, directs "Radio Guaripolo", from where he broadcasts the program "Guaripolo's Midnight Telephone Pranks", in which in the wee hours of the morning he makes prank calls to a few, for the delight of few others.
In the Municipal Theater of Titirilquen Raul Rupertino Tufillo Triviño the Policarpo Top Top Top Awards are held, an award ceremony where Policarpo, the only jury of the event, rewards the top song on his Top Ranking.
When the evil billionaire Cachirula kidnaps Juanín Juan Harry to complete her bizarre animal collection, the 31 Minutos crew embarks on a chaotic rescue mission, proving that friendship is always worth the chaos.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.
Life for former United Nations investigator Gerry Lane and his family seems content. Suddenly, the world is plagued by a mysterious infection turning whole human populations into rampaging mindless zombies.
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.