Documentary about the security of a hometown somewhere in Sweden, with a church in the middle of the village, many generations of farming, a newly opened restaurant, and neighbors who usually get along. A community that welcomes but also excludes.
A personal portrait of the housing project Gråbo outside old hansa town Visby. We may encounter some residents that together give the otherwise drab suburb an almost magical shimmer where everything becomes a little larger than reality.
In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.
A documentary about the Swedish organisation Copyswede and the work they claim to be behind. If you bought a USB drive, hard drive, DVD, CD, computer, iPhone or another device that can be used in private copying, you are directly affected, whether you like it or not.
This definitive music documentary, featuring a greatest hits soundtrack and bounty of classic performance clips, provides an inside look into how Swedish pop group ABBA's music was made, as the former members and various colleagues tell their story from pre-ABBA days onward.
In the near future: the EU has collapsed, stock market prices have collapsed, energy costs have exploded; many thousands lose the roof over their heads and literally end up on the street.
The film shows a strong bond between two brothers that live in a remote fjord with their parents. We look into their world through the eyes of the younger brother and follow him on a journey that marks a turning point in the lives of the brothers.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.