Annals of Time Lost works towards illuminating the individual’s relationship to the archive and the desire for physical presence. The exhibition is archiving a condition that may not exist decades from now. It is itself a record of the anxiety and unease around where, how and what is the physical self when one is in a social relation in cyberspace. Rafman’s work asks us to implicate ourselves in this process as both the creator and the subject, the archivist and the archived.
A bullied student sees visions of a rabbit he was forced to kill as a child, and those visions propel him into a state where his imagination causes him to carry out violent acts.
Freemont Gordon isn't passionate about his successful job as an architect in Los Angeles. After turning 30, he finds his job isn't enough, so he quits and takes a road trip—and along the way meets some amazing and generous people.
The film shows a strong bond between two brothers that live in a remote fjord with their parents. We look into their world through the eyes of the younger brother and follow him on a journey that marks a turning point in the lives of the brothers.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.
In the near future: the EU has collapsed, stock market prices have collapsed, energy costs have exploded; many thousands lose the roof over their heads and literally end up on the street.
What does it take to say a word of love? How long and how much strength does it take for the heart to speak? How many streets at night? How fast? How many faces in how many bars? What tenderness? What pain? What music? What images in the mind? And where does it come from? Is it in the darkness of a closed park at night? In the back room of a Chinese bar? In the bottom of a beer? In a collective dance? In a sister's laughter? When does it finally happen? For the soul to let go.
