Awake Zion explores the connections between Rasta, Reggae and Judaism, through one woman's beat-laden adventure into the meaning of identity. All the way back to the alleged sultry affair between the Jewish King Solomon and the African Queen of Sheba, Jewish influence is evident in the spiritual history of Ethiopia - turning up subtly in Rastafarian lifestyle and then, inevitably, in reggae. Unravelling the story of this unlikely kinship, Awake Zion unites Jewish and Jamaican musicians, scholars, and historians in a celebration roots and culture - traveling from Crown Heights, Brooklyn, where Caribbean and Jewish cultures share a history of adversity - to Jamaica, the birthplace of reggae - and ultimately to Israel, where a sizzling reggae scene thrives today. Awake Zion examines the preconceptions of what it means to be Jewish, what it means to be Rasta, what it means to be white or black - and, most importantly, the universal search for what it means to be "home".
OUTREMONT AND THE HASIDIM reveals the challenges of accommodating the “Hasidim” – or ultra-Orthodox Jews – in the affluent Montréal borough of Outremont.
In the spring of 1939, Gilbert and Eleanor Kraus embarked on a risky and unlikely mission. Traveling into the heart of Nazi Germany, they rescued 50 Jewish children from Vienna and brought them to the United States.
Music lovers fascinated by the ideas, experiences, and emotions that serve as the foundation of Jamaican reggae are invited to explore the history of the legendary Soul Syndicate - a collection of talented musicians who provided backup instrumentation for such acclaimed artists as Jimmy Cliff, Toots and the Mayals, Burning Spear, and Bob Marley and the Wailers among others.
Refugee here I am, is a musical documentary based on the life of a Congolese Musician Enzo Ikah, a refugee and a renown reggae artist living in Istanbul.
Straight out of This is England! Or was it the other other way round? Never mind, now a classic, World of Skinhead seeks out the roots of skinhead culture - from Detroit to Bergen, from Glasgow to Berlin, honouring its true spirit.
A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration.
After his six-year-old daughter is abducted, a desperate father takes justice into his own hands when he loses faith in the detective leading the investigation, setting both men on a collision course as the search descends into obsession and moral compromise.
The night after another unsatisfactory New Year's party, Tim's father reveals to him that the men in their family have the ability to travel through time.
An FBI agent and an Interpol detective track a team of illusionists who pull off bank heists during their performances and reward their audiences with the money.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all.
