What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)
Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world.
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
A portrait of the actress and singer Pepa Flores, an incarnation of the recent history of Spain, who, in just twenty-five years of intense career, went from being Marisol, child prodigy of the Franco dictatorship, to being one of the first communist militants, icon of the Transition; an idol of the masses who became a discreet person after having claimed her right to remain silent.
Who, apart from moviegoers, knows Alice Guy (1873-1968) today? However, she was the first woman behind the camera and the first female director and producer of fiction films in history.
For just forty days, filmmaker and writer Mark Cousins embarks on a peculiar journey in order to explore topics as the passion for cinema and certain aspects related to making films as style, ideas, emotions and practicalities; an ambitious exploration of the universal language of cinema by analyzing pieces of work that cross every artistic and cultural boundaries.
An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution.
The life story of Richard Pryor (1940-2005), the legendary performer and iconic social satirist who transcended racial and social barriers with his honest, irreverent and biting humor.
In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.
Alternative movies trailers for Barefoot in the Kitchen
More movie trailers, teasers, and clips from Barefoot in the Kitchen:
Barefoot in the Kitchen- Con La Pata Quebrada. Trailer OV English Subt
A chronicle of how Spanish cinema has portrayed women and their evolution from the 1930s to this day by means of 180 film fragments. It also reviews the ...
Barefoot in the Kitchen Ep. 1: How To ID GMO Pesticide and Organic Produce & Zucchini Chips!
I have recently started my own personal journey into eating more whole foods and cutting out anything processed from my diet. I have decided to chronicle my ...
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