In 1990 poet Maria Luisa Spaziani (Turin, 1922 - Rome, 2014) published one of her more experimental works, the poem in heroic verse "Giovanna d’Arco" (Joan of Arc). One of the distinctive elements of the book is the invention of a language: Joan speaks with an angel, who addresses her in a non-existent language. The angel who embodies such voice is, for Spaziani, poetry itself, that is, that force that constantly presses the boundaries of language and the speakable, deforming such boundaries, revealing glimmers of unexplored areas of pure voice. The film features images of sea landscapes and a series of audio recordings of fire, two elements that constantly recur in the path Spaziani traces along the trajectory of her enunciation.
Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom.
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis.
Julian, who runs a Thai boxing club as a front organization for his family's drug smuggling operation, is forced by his mother Jenna to find and kill the individual responsible for his brother's recent death.
Have you watched Chi ha lottato con l'angelo resta fosforescente yet? What did you think about it?