The shots used in this piece were from first test shots with the Mobile Phone 60x microscope. Subjects included the fur of a cat, hair of a girl, a cutting board, and a ball of cat fur that was burned with an incense stick. Unfortunately, during the final shot the flame melted part of the microscope lens.
In a near future when women rule the world, a politician visits a "Grooming School" to snag a trophy husband, but her boring date takes a turn when her Stepford-y match stops pretending to be something he's not.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year.
Rape Card is a cautionary tale set in a chilling dystopian future where rape is legal. Frances tries to control her fate by planning her own assault, and targets a young boy who just got his rape card.
What does it take to say a word of love? How long and how much strength does it take for the heart to speak? How many streets at night? How fast? How many faces in how many bars? What tenderness? What pain? What music? What images in the mind? And where does it come from? Is it in the darkness of a closed park at night? In the back room of a Chinese bar? In the bottom of a beer? In a collective dance? In a sister's laughter? When does it finally happen? For the soul to let go.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
When a lonely man finds out the love of his life has a conjoined twin, who happens to be a serial killer, he must take drastic measures to keep his love life intact while keeping himself out of big trouble.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.