Structured on the point of view of three individuals, Krishnappa Narasimha Shashtri, an old Indian freedom fighter, Gowri Iyer an Indian journalist and Emma Hall, a British banker. The film is set in the 1920s of colonial India and revolves around the lives of three groups of people, the peasants from a village called Kunthapura, the freedom fighters of the princely state of Mysore and a group of archeologists commissioned to do an excavation in the village of Kunthapura
After her father’s sudden death, Feride takes on the role of the father in the family. Her mother, Nurcan, desperately tries to replace her lost husband with Feride, while her brother, İlker, starts to drift away from the family.
A woman and young daughter escape her abusive husband by faking their deaths. Eight years later she is happily living in the upscale Palm Springs with her now-17-year-old daughter.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all.
After his six-year-old daughter is abducted, a desperate father takes justice into his own hands when he loses faith in the detective leading the investigation, setting both men on a collision course as the search descends into obsession and moral compromise.
Comments
Have you watched Kunthapura yet? What did you think about it?
