This film is part autobiography, part fiction, with a healthy dose of self-conscious realism and tongue-in-cheek humor. Nursing a broken heart from his first breakup, Ahmed decides he's going to be homeless-this is his naive, lovesick attempt to get over the girl whose name is the inspiration for the film's title. Being the hopeless romantic that he is, Ahmed wants to document his days living as a change peddler. He does so thinking he will make a film about his adventurers and finally exorcise the memory of Kassandra. In true millennial fashion, Ahmed abandons the first film when the fancy strikes him to make a movie about his breakup instead. This is the film within the film he sets out to make, "Ten Nights Bliss."
After his six-year-old daughter is abducted, a desperate father takes justice into his own hands when he loses faith in the detective leading the investigation, setting both men on a collision course as the search descends into obsession and moral compromise.
When a lonely man finds out the love of his life has a conjoined twin, who happens to be a serial killer, he must take drastic measures to keep his love life intact while keeping himself out of big trouble.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.
What does it take to say a word of love? How long and how much strength does it take for the heart to speak? How many streets at night? How fast? How many faces in how many bars? What tenderness? What pain? What music? What images in the mind? And where does it come from? Is it in the darkness of a closed park at night? In the back room of a Chinese bar? In the bottom of a beer? In a collective dance? In a sister's laughter? When does it finally happen? For the soul to let go.
When the White House (Secret Service Code: "Olympus") is captured by a terrorist mastermind and the President is kidnapped, disgraced former Presidential guard Mike Banning finds himself trapped within the building.