For 23 years, Helena Třeštíková followed the story of actor and stage director Jakub Špalek. The first piece of footage was shot in Autumn 1989 when Jakub, then a theatre academy student, was actively involved in the Velvet Revolution. Back then, Jakub dreamed of running his own theatre company which soon came true - he is still in charge of Kašpar Theatre in Prague. The film documents the difficult life of an independent theatre manager, as well as his many personal struggles and joys.
Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art.
December the 31th, 2003. Lucie decides to write a letter to the man who abused her from the age of 8 to 12 years old and resolves herself to bring it to him in person, wherever he may be.
Acknowledged as one of the greatest singers of the twentieth century, Arena explores the rise of the legendary crooner Frank Sinatra from his early family background to overwhelming show business success.
In 1948 Pablo Picasso met the hairdresser Eugenio Arias. Both were linked by the fate of emigration. If Picasso initially only had his hair cut by Arias, a deep friendship soon developed.
More movie trailers, teasers, and clips from Life with Jester:
Život s Kašparem (2013) - trailer
Informace o filmu na Dokument Česká republika 2013 89 min. Režie: Helena Třeštíková.
Život s Kašparem - Trailer
V roce 1989 jedenadvacetiletý iniciátor studentských protestů dnes čtyřicátník který má za sebou životní zvraty výhry i zklamání. Život Jakuba Špalka je ...
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Hamdan is a former Palestinian leader who spent 15 years locked up in the old Israeli prisons. In 1973, while living in Syria, he was given a mission to smuggle explosives across the border and train a person he trusted.
This documentary chronicles the rise, fall and resurrection of Joe Meek. It shows, due in equal measures to his pioneering DIY recording techniques, hit-making philosophy and a life full of social, psychological and sexual obstacles.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.
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