If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.
The story of Tasmanian-born actor Errol Flynn whose short & flamboyant life, full of scandals, adventures, loves and excess was largely played out in front of the camera - either making movies or filling the newsreels and gossip magazines.
The extraordinary life of playwright, singer, actor, composer, and director Noël Coward, who rose from poverty to stardom while keeping his sexuality a secret.
In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and tone of Kiyoshi Kurosawa’s modern horror classic Cure, deploying a dizzying range of cinematic references to unravel the film’s eerie magic.
Interviews and archival footage weave together to tell the story of the Master of Suspense, one of the most influential and studied filmmakers in the history of cinema.
In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity.
A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive images and stories from the past, some lived and others heard.
In this deeply personal video diary, a young researcher tries to make sense of her fascination for the film "The Pain of Others" by Penny Lane.
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The long conversation: Richard Linklater on cinema and time
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May 6, 2012. Cable news reporter Laetitia is covering the French presidential elections, while Vincent, her ex-husband, demands to see their two young daughters.
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