Most 72 is the very first film essay directed and produced by The Markerists and the inaugural installment in the series 'Most'. The footage and the audio were recorded in a single day on June 17th, 2013 on location in Auschwitz-Birkenau with post-production being completed within 72 hours. Surbhi Goel, a professor of cultural studies from India on her first trip outside of her homeland, recorded extemporaneous impressions as she walked the grounds of the death camp with the filmmakers. These were later used as the voice-over narration. The project serves as the template in which future Markerists film essays will be produced--shot and recorded on location and completed immediately afterwards, staying relevant in this age of instant global communication.
When his family moves from their home in Berlin to a strange new house in Poland, young Bruno befriends Shmuel, a boy who lives on the other side of the fence where everyone seems to be wearing striped pajamas.
One journalist described it as a chance "to see justice catch up with evil." On November 20, 1945, the twenty-two surviving representatives of the Nazi elite stood before an international military tribunal at the Palace of Justice in Nuremberg, Germany; they were charged with the systematic murder of millions of people.
Kurt Gerstein—a member of the Institute for Hygiene of the Waffen-SS—is appalled to discover that a poison gas he helped discover is being used to kill Jews.
Four young women joined the Resistance to fight Nazi oppression and brutality in occupied France. They were arrested and deported to Ravensbruck concentration camp, where they helped each other to survive.
Taking place at the Concentration camp Buchenwald at the end of March 1945, prisoner Hans Pippig discovers in a carrying case of an incoming prisoner a Jewish child.
Samuel Willenberg and Kalman Taigman, the last two survivors of the Nazi extermination camp Treblinka, recount the horrors they experienced during the war and talk about their lives after their escape in a prisoner uprising in 1943.
Faced with the relentless and unstoppable advance of the Soviet Red Army, from the spring of 1944 until the capitulation of the Third Reich in May 1945, the Nazis evacuated the labor, concentration and extermination camps, factories of pain and death which, during years of nightmare, they had established in the occupied eastern territories.
After his six-year-old daughter is abducted, a desperate father takes justice into his own hands when he loses faith in the detective leading the investigation, setting both men on a collision course as the search descends into obsession and moral compromise.
When the White House (Secret Service Code: "Olympus") is captured by a terrorist mastermind and the President is kidnapped, disgraced former Presidential guard Mike Banning finds himself trapped within the building.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all.
After her father’s sudden death, Feride takes on the role of the father in the family. Her mother, Nurcan, desperately tries to replace her lost husband with Feride, while her brother, İlker, starts to drift away from the family.
