Filmed on a Bolex & Aaton camera and edited on an old Steinbeck machine. Steven Santa Cruz Booth took his fellow art schoolers (and his mum) to task in order to make this flick. Filmed in Sheffield, it could just as easily be 1970s Baltimore.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.
A woman and young daughter escape her abusive husband by faking their deaths. Eight years later she is happily living in the upscale Palm Springs with her now-17-year-old daughter.
A bullied student sees visions of a rabbit he was forced to kill as a child, and those visions propel him into a state where his imagination causes him to carry out violent acts.
The film shows a strong bond between two brothers that live in a remote fjord with their parents. We look into their world through the eyes of the younger brother and follow him on a journey that marks a turning point in the lives of the brothers.
What does it take to say a word of love? How long and how much strength does it take for the heart to speak? How many streets at night? How fast? How many faces in how many bars? What tenderness? What pain? What music? What images in the mind? And where does it come from? Is it in the darkness of a closed park at night? In the back room of a Chinese bar? In the bottom of a beer? In a collective dance? In a sister's laughter? When does it finally happen? For the soul to let go.
Julian (Álex González) and his friend Luis (Miguel Angel Silvestre) are two neighborhood boys who are part of a gang of violent neo-Nazis, led by Solis (Javier Bardem).