Occupying a territory somewhere between faux essay film and reverie, Gabriel White’s Oracle Drive roves the well-mown desolation of the light-industrial urban fringe. Although the voice we hear on the soundtrack is distinctly Kiwi, it speaks with the casual expertise of an inter-planetary visitor, one seriously misled by his own rich stock of earthly classical studies. He marvels at the literal and metaphorical significance of signage and street names, Atlantis, Romulus and Remus, Isis, The Nile, The Tiber, Oracle Drive, Sexyland; you’ll find them all on the North Shore. Only cars inhabit this road-ribboned environment – and strange dancers who pass across the landscape with mysterious purpose, oblivious to its mundane uses. Meanwhile, elegant camerawork, an ominous music track and surprising visual effects collude to shift the flaneur’s provocation into something else again; there’s beauty and eerie immanence lurking in the guarded blandness of Albany.
Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride. As police search town for the escaped convict, the mother and son gradually learn his true story as their options become increasingly limited.
Following Madoka's rewriting of the universe, sacrificing herself and her happy normal days to save all magical girls from the cruel fate that awaited them by wiping witches out of existence, the despair still manifest into creatures known as nightmares.
In Verona, bad blood between the Montague and Capulet families leads to much bitterness. Despite the hostility, Romeo Montague manages an invitation to a masked ball at the estate of the Capulets and meets Juliet, their daughter.
It’s been 20 years since the corporations took over the world’s governments. Their thirst for power and profits led to the Corporate Wars, a fierce global battle that laid waste to society as we know it.
Have you watched Oracle Drive yet? What did you think about it?