"Shabdkosh (A Dictionary) occurs in the silences between poems. A contemplation of the need to be heard against the imperatives of forgetting. Many forms of "last records" are conjured to create "deceased time". A time that is not simply un-alive but has a force much beyond the world of the living. Salvador Allende’s haunting last speech hangs in the air mingling with Vidrohi’s obsession with being recorded, while images of hunters and the hunted slowing trickle in. All these together form the skin of the question that Spicer asks of Lorca: "What did you want to do with a poem once it was over?" Should "silence" and "records" always be placed antithetically, or can a new imagination of practice emerge from the world of the forgotten and the misplaced?" – Pallavi Paul
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all.
After her father’s sudden death, Feride takes on the role of the father in the family. Her mother, Nurcan, desperately tries to replace her lost husband with Feride, while her brother, İlker, starts to drift away from the family.
A young boy learns that he has extraordinary powers and is not of this earth. As a young man, he journeys to discover where he came from and what he was sent here to do.
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Have you watched Shabdkosh yet? What did you think about it?
