Carried by a song, images and fragments of narration intertwine. Simulacrum, magical or religious ritual, ritual of death or rite of passage, nothing is explicit in the action that deploys amongst the characters, between the extreme proximity and, at the same time, the absolute distance expressed by the gestures and bodies.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all.
When a lonely man finds out the love of his life has a conjoined twin, who happens to be a serial killer, he must take drastic measures to keep his love life intact while keeping himself out of big trouble.
A man has only three and a half days and limited resources to discover why he was imprisoned in a nondescript room for 20 years without any explanation.
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Have you watched Storia yet? What did you think about it?