December 2011, in a town in northern Italy, a young man returns home as he does every evening. He parks his car and discovers his 16-year-old sister in tears in front of their house. She tells him that two young Romany guys have brutally raped her. The young man immediately goes in search of the attackers but cannot find them. The neighborhood organizes a solidarity march in view of the event. The tension begins to rise.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.
When a lonely man finds out the love of his life has a conjoined twin, who happens to be a serial killer, he must take drastic measures to keep his love life intact while keeping himself out of big trouble.
At an international school in Jakarta, a philosophy teacher challenges his class of twenty graduating seniors to choose which ten of them would take shelter underground and reboot the human race in the event of a nuclear apocalypse.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all.
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Have you watched The Immaculates yet? What did you think about it?
