An encounter with three young Palestinian refugee filmmakers from the Deisheh camp, focused on their cinema endeavours. The encounter takes place via the recording machine, a Super 8 Nizo camera. Their discussion about making films as Palestinian refugees, about what it is to make films in Palestine, alternates with their own gestures, their views on the camp.
What does it take to say a word of love? How long and how much strength does it take for the heart to speak? How many streets at night? How fast? How many faces in how many bars? What tenderness? What pain? What music? What images in the mind? And where does it come from? Is it in the darkness of a closed park at night? In the back room of a Chinese bar? In the bottom of a beer? In a collective dance? In a sister's laughter? When does it finally happen? For the soul to let go.
Bethlehem tells the story of the unlikely bond between Razi, an Israeli secret service officer, and his Palestinian informant Sanfur, the younger brother of a senior Palestinian militant.
Lenny has relocated his family back to the small town where he and his friends grew up. This time around, the grown ups are the ones learning lessons from their kids on a day notoriously full of surprises—the last day of school.
A biographical documentary on eminent Indian rock and jazz musician and percussionist Nondon Bagchi and a generation of 60's musicians playing English rock music in India.
Using massive piloted robots to combat the alien threat, Earth's survivors take the fight to the invading alien force lurking in the depths of the Pacific Ocean.
Life for former United Nations investigator Gerry Lane and his family seems content. Suddenly, the world is plagued by a mysterious infection turning whole human populations into rampaging mindless zombies.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.
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Have you watched The Recording Machine yet? What did you think about it?
