Facilitated by Echo Park Film Center, Hanoi Doclab and the Goethe Institute, The Sound We See: A Hanoi City Symphony invited a group of young Vietnamese filmmakers to explore their city on film, shooting with Super 8 cameras and processing/editing the images by hand.
The prehistoric Croods family live in a particularly dangerous moment in time. Patriarch Grug, his mate Ugga, teenage daughter Eep, son Thunk, and feisty Gran gather food by day and huddle together in a cave at night.
Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom.
After his six-year-old daughter is abducted, a desperate father takes justice into his own hands when he loses faith in the detective leading the investigation, setting both men on a collision course as the search descends into obsession and moral compromise.
What does it take to say a word of love? How long and how much strength does it take for the heart to speak? How many streets at night? How fast? How many faces in how many bars? What tenderness? What pain? What music? What images in the mind? And where does it come from? Is it in the darkness of a closed park at night? In the back room of a Chinese bar? In the bottom of a beer? In a collective dance? In a sister's laughter? When does it finally happen? For the soul to let go.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.
A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration.
Surfer Dane Reynolds takes a sharp look into the timeless style of Craig Anderson. A modern approach with hints to the past, Slow Dance follows Craig in and out of the water as he travels the world meeting up with heroes and friends in Australia, Chile, India, West Africa and Tahiti to name a few.
