Hartmann proposes a 76-minute film in which each minute stands for a year of his life. This obsessive rule is invoked in the last 4 “years” of his life (and of the film). A cable-car journey codes in its own duration the secret of a perdurable shot. A poetic emancipation by a young filmmaker: a life plan finding its right frame. Roger Koza
Danny sets out to uncover the story of his estranged father. Piecing together mementos, stories from his dad’s old friends, and hard conversations with his mother, Danny starts on a mission to solve the puzzle of his father and finds himself instead on a complex, funny, and vulnerable journey of self-discovery and acceptance.
A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive.
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made.
In Galician, Devalar means “the passing of time over things”. This short movie is a portrait of a seaside Galician village, on the edge of the Atlantic ocean, drawn by the memories of the director.
In his first HBO comedy special, Gary Gulman offers candid reflections on his struggles with depression through stand-up and short documentary interludes.
A journey into time, landscape and consciousness: The Southwestern United States in the black-and-white moving images and unsettling instrumental music.
Has Matthew been wasting his life? He’s 29 years old with 4 memberships at adult video stores, 55 tapes of compiled porn, and absolutely nothing to show for it: no girlfriend, no ambition, only a big stack of porn.
Filmmaker Helena de Llanos, who lives in the chaotic house, full of memories and treasures, where her grandfather, Fernando Fernán Gómez (1921-2007), legendary writer, actor and director; and his wife, the actress and writer Emma Cohen (1946-2016), shared their lives, analyzes the relationship that the living have with the dead through the places and objects they have left behind.
Alternative movies trailers for Time Goes by Like a Roaring Lion
More movie trailers, teasers, and clips from Time Goes by Like a Roaring Lion:
Time Goes By Like a Roaring Lion (Trailer @ CPH:DOX 2013)
Info & Tickets: It is wonderful to see a film once in a while wherein there is space for so many different ideas ...
TRAILER / Time Goes By Like a Roaring Lion / DIR: Philipp Hartmann
A filmmaker in the statistical middle of his life suffers from chronophobia. He has to find a ...
Time Goes By Like a Roaring Lion | Teaser | Art of the Real
A free-associative essay on temporality mortality and cinema's capacity to represent both Philipp Hartmann's autobiographical film is at once affecting and ...
O Tempo Passa como um Leão que Ruge (Time goes by like a roaring lion)
Die Zeit vergeht wie ein brüllender Löwe by Philipp Hartmann Alemanha / Germany 2013 80' DCP Cor e PB / Color and BW Híbrido / Hybrid Um cineasta no ...
Popular movie trailers from 2013
These some of the most viewed trailers for movies released in 2013:
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac.
A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration.
What does it take to say a word of love? How long and how much strength does it take for the heart to speak? How many streets at night? How fast? How many faces in how many bars? What tenderness? What pain? What music? What images in the mind? And where does it come from? Is it in the darkness of a closed park at night? In the back room of a Chinese bar? In the bottom of a beer? In a collective dance? In a sister's laughter? When does it finally happen? For the soul to let go.
Len van Jaarsveld used to be on the top of his game. As one of the country’s leading music producers he had it all: the stars, the hits, the connections and the.
A bullied student sees visions of a rabbit he was forced to kill as a child, and those visions propel him into a state where his imagination causes him to carry out violent acts.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.
