The title of Coombes’ new film refers to the name given to a particular Pictish symbol that has been interpreted as a representation of life and death; the here-and-now and the otherworld. The film presents two main sets: the National Galleries of Scotland in Edinburgh and a mountainous landscape somewhere in the Highlands. The first serves as the stage for the wanderings of a wolf, while the second hosts a caveman sculptor played by Coombes, along with a cavewoman who entombs his body in plaster. In both scenarios, things seem out of place: a savage creature in a museum and a self-conscious artist in the Iron Age. “Love is tender to impression at the surface, like a rock with deep moss upon it, but there is too much mass of love for it ever to be moved.” – Coombes’ sub-personality as the Pictish Man.
Hamdan is a former Palestinian leader who spent 15 years locked up in the old Israeli prisons. In 1973, while living in Syria, he was given a mission to smuggle explosives across the border and train a person he trusted.
A young boy learns that he has extraordinary powers and is not of this earth. As a young man, he journeys to discover where he came from and what he was sent here to do.
After her father’s sudden death, Feride takes on the role of the father in the family. Her mother, Nurcan, desperately tries to replace her lost husband with Feride, while her brother, İlker, starts to drift away from the family.
A woman and young daughter escape her abusive husband by faking their deaths. Eight years later she is happily living in the upscale Palm Springs with her now-17-year-old daughter.
James Franco's Sal chronicles the final hours of the life of actor Sal Mineo, one-time teen idol and star of the blockbuster films Rebel Without a Cause and Exodus.
When the White House (Secret Service Code: "Olympus") is captured by a terrorist mastermind and the President is kidnapped, disgraced former Presidential guard Mike Banning finds himself trapped within the building.
