In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.
Intrepid young reporter, Tintin, and his loyal dog, Snowy, are thrust into a world of high adventure when they discover a ship carrying an explosive secret.
Prep and Landing: On Christmas Eve, a high-tech team of elves from an elite unit known as "Prep & Landing" ensures homes around the world are prepared for Santa's visit.
Mick and Kev, teen Irish lads, are at the shore, throwing rocks at empty cans, drinking cider. Mick's the pushy one, engaging Kev in a game of mumbly peg, his hand on top of Kev's, fingers splayed.
At a crisis center in late 1971, a freshly minted counselor on the late shift takes his first call: a suicidal teenager whose parents won't let her come home for Christmas.
Based around three of E.T.A. Hoffmann's tales ("Klein Zaches," "The Golden Pot" and "The Sandman"), with the main character being Hoffmann himself, this stop-motion fantasia focuses on the duality between the imaginative universe of his writings and his real-life profession as a government clerk.
Just as the young members of the swimming team spend another day training in the pool, the cusp of early puberty threatens to turn innocent friendship and camaraderie into something much more.
Life for former United Nations investigator Gerry Lane and his family seems content. Suddenly, the world is plagued by a mysterious infection turning whole human populations into rampaging mindless zombies.
The evil wizard Gargamel creates a couple of mischievous Smurf-like creatures called the Naughties that he hopes will let him harness the all-powerful, magical Smurf-essence.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.