'Vadātājs' is an ancient Latvian mythological creature that leads people to Nowhere. As Latvia has been declared the most superstitious country in the EU, it is important to understand – what do we believe in? Three young filmmakers – a director, cinematographer and sound girl – question if Latvia is a lost country and if a Vadātājs has achieved enormous power by leading Latvian society into confusion. A search for a contemporary Vadātājs*, and the understanding of the origins of confusion within people in the 21st century.
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients.
Superstitions are examined in the context of mid-20th century America. Walking under ladders, spilt salt, stepping on cracks, haunted houses, voodoo dolls, and such are used to illustrate the widespread belief in the supernatural.
For many generations people in the Omo Valley (tribal southwest Ethiopia) believed some children are cursed and that these 'cursed' children bring disease, drought and death to the tribe.
The three speakers represent two of the dialects, with the most common one - the middle dialect spoken in Riga and central parts of Latvia - not featured in the film.
This short film examines the origins of several superstitions including crossing your fingers, knocking on wood, rabbit's feet, and breaking champagne bottles to christen ships, plus the role of superstitions in the Flying Dutchman tale.
UFOs and spirits can be seen in Salme municipality on the island Saaremaa. There are viking skeletons and the Sõnajalg family wind turbines coming out of the depths of the earth and a helicopter flying to a village shop scares away cow herds.
Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.
A woman and young daughter escape her abusive husband by faking their deaths. Eight years later she is happily living in the upscale Palm Springs with her now-17-year-old daughter.
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