We know about the swing. We know about the swagger. But what most Americans don't know about Venus Williams is how she changed the course of her sport. In a stunning case that captured the European public beginning in 2005, Williams challenged the long-held practice of paying women tennis players less than their male counterparts at Wimbledon. With a deep sense of obligation to the legacy of Billie Jean King, Williams lobbied British Parliament, UNESCO and Fleet Street for financial parity. And it was her poignant op-ed piece in The London Times that convinced many people that the Wimbledon tournament organizers were "on the wrong side of history." Roland Garros and Wimbledon finally relented in 2007. That year at Wimbledon, Venus became the first women's champion to earn as much as the men's singles winner (Roger Federer). VENUS VS. chronicles Williams' fight for pay equality.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
Ricardo was once Sara, a homeless HIV positive transvestite, living in the underbelly of Manhattan. Today he is a churchgoing, married man, "saved" by a Dallas ministry.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
An epic cinematic and musical collaboration between SHERPA filmmaker Jennifer Peedom and the Australian Chamber Orchestra, that explores humankind's fascination with high places.
Outraged by the controversial January, 1988 article in Cosmopolitan magazine, the women in the AIDS Coalition to Unleash Power, (Act Up, New York), organized the first AIDS demonstration focused on women.
Rate It X is a bitingly funny and disarming journey through the landscape of American sexism. Men only are interviewed by the two filmmakers in a witty montage of free-wheeling encounters.
Bethlehem tells the story of the unlikely bond between Razi, an Israeli secret service officer, and his Palestinian informant Sanfur, the younger brother of a senior Palestinian militant.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all.
What does it take to say a word of love? How long and how much strength does it take for the heart to speak? How many streets at night? How fast? How many faces in how many bars? What tenderness? What pain? What music? What images in the mind? And where does it come from? Is it in the darkness of a closed park at night? In the back room of a Chinese bar? In the bottom of a beer? In a collective dance? In a sister's laughter? When does it finally happen? For the soul to let go.
When a lonely man finds out the love of his life has a conjoined twin, who happens to be a serial killer, he must take drastic measures to keep his love life intact while keeping himself out of big trouble.
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Have you watched Venus VS. yet? What did you think about it?
