Derived from Claudia Rankine’s »Citizen: An American Lyric«, through a brief encounter on public transit, the film attends to how bodies negotiate space, proximity, and visibility in everyday life. Eschewing narrative in favor of a visual-poetic form, it reveals how ordinary gestures carry the weight of racialized social codes. The act of »making room« becomes a quiet but charged reflection on belonging, access, and the politics of presence in shared civic space.
A street smart clubowner is frustrated with the daughter whom she trained into hustling men for money, as she deems her to be lacking in the innate hustlers spirit.
This story began with a blind, bull elephant called Pla-Ra. Paul Barton took his piano to ElephantsWorld, a Sanctuary on the banks of the River Kwai in Thailand and began playing to the elephants while they were eating.
Crisanto Espina, a cop on suspension and under investigation, is tasked to eliminate the suspects involved in a bank robbery/massacre that shocked the whole nation.
When Matthew explores the 'spiral' in his grandmother's garden (a strange structure built by his late grandfather) he discovers an entrance into the magical world of 'the Shadows' where he meets his new Shadow friends, Yorrick and Alice, and begins his great adventure.
