During his five decades as an artist, Carl Johan De Geer has playfully leaped between genres and art forms such as painting, children's television and literature. All of it with a powerful political commitment and a large measure of absurdism. In CJDG, we follow his work on exhibitions in New York as well as Stockholm.
How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.
A young boy with down syndrome attends his first year in a "regular" classroom. This documentary traces that year and the changes that take place for Peter, his teacher, and the other students.
A deep dive into the historic 1997–2005 libel lawsuit, wherein fast-food conglomerate McDonald's sued environmental activists Helen Steel and David Morris over a critical factsheet.
Bandit, a Connecticut house dog with ties to the Pit Bull family, is condemned to death for biting an aggressive neighbor and then his own remorseful master.
An ode to man's capacity to care for all creatures throughout their sometimes greatly protracted existence, displayed through the homegrown remedies Tom and Debbie Nicholson create for disabled animals.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
Some think an in vitro fertilization contest sounds crazy, but countless Americans desperate to start a family believe this social media experiment is their only hope.
The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.
For Peter Parker, life is busy. Between taking out the bad guys as Spider-Man and spending time with the person he loves, Gwen Stacy, high school graduation cannot come quickly enough.
When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story.
William stands at the window telling Abigail his story of walking down 'the witches' path. The unseen spectral Abigail taunts William suggesting that he walked down the path hoping to see her.
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