Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.
Spanning 18 years in an Iranian women's prison, this follows two women: the new prison warden, a tough as nails devout Muslim who has served in the army on the Iraqi front, and a young midwife, Mitra, who is serving her sentence for killing her mother's abusive husband.
A haughty acclaimed newly married fashion designer named Iraj is shown the door by his boss after the boss's son arrives at Iran to take over his father's company.
Nahal is around thirty and in her fourth month of pregnancy. During a routine check-up she learns that her baby has died and she now faces a curettage abortion in two days’ time.
A coming-of-age story about Jack, a 16-year old Iranian boy growing up in 1989 Los Angeles. With the 1979 Iranian Revolution a distant memory, the AIDS movement as a backdrop, and a haunting score by Vampire Weekend's Rostam Batmanglij, Jack learns how to stage his own much smaller revolution within the confines of his traditional family.
A street smart clubowner is frustrated with the daughter whom she trained into hustling men for money, as she deems her to be lacking in the innate hustlers spirit.
Judith moved to Berlin three weeks ago and is just starting her career. A new city, a new apartment, her first job - that was her life plan with her boyfriend Christian.
William stands at the window telling Abigail his story of walking down 'the witches' path. The unseen spectral Abigail taunts William suggesting that he walked down the path hoping to see her.
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